In honor of The Fugitive being released 30 years ago today, we’re doing a special rerelease of this pod so you can experience the heart-pounding chase all over again! Special thanks to DrKen (previous commissioner of The Man Who Shot Liberty Valance) for commissioning this great thriller from the 90’s, The Fugitive, starring Harrison Ford as brilliant doctor wrongfully accused of the murder of his wife evading the dogged pursuit of Tommy Lee Jones as U.S. Marshal. This is one of the tightest films you’ll ever see, effortlessly moving from one set piece to another, drawing strength and vitality from the charisma and presence of it’s two brightest stars, achieving the rare balance where you want the protagonist and antagonist to find a way to both win. We have fond memories of this film from our youth, and we found it held up like Ford’s Finger ‘O Doom. Thanks again, DrKen! If you ever have to evade justice, we got a couple of bucks and a bed in the basement for you!
Do you ever think about death? Barbie does too! Stereotypical Barbie is having problems; her feet are flat, her imaginary water is cold, and she’s having an existential crisis. (#justgirlythings) Joining A.Ron on this pod is Bald Move’s very own producer, Talitha. Between the laugh out loud jokes and groovy outfits, the movie makes space to discuss feminism, identity, and patriarchy. Find out how Greta Gerwig weaves together the philosophy and comedy in Bald Move’s coverage of Barbie! It’s sublime.
The last course is served on this season of The Bear. This character study was an exquisite sweet and salty combo that encapsulated the nuances of being a flawed human being. Between the laughs and heartbreak, there’s a smorgasbord of colorful characters you don’t want to miss.
It’s a chaotic family reunion to rival all chaotic family reunions. Between the enablers, pacifiers, and people who just can’t be normal, you might have flashbacks to that one traumatic Thanksgiving years ago. And when it becomes too much to bear (ha), the show will give you a break. Put your phone down for this watch, you’ll get so much more.
It’s a movie that is so Wes Anderson, you’ll be bathing in pastel colors and meta dialogue for the full 1 hour and 44 minute run. This movie will ask, but never answer, a handful of questions. Is this movie profound? Is the audience meant to understand it? What is that on Jason Schwartzman’s forehead?
Take a step back in time to late 80s cinema where hope abounds, it’s a bit schmaltzy, and the sensibilities don’t always hold up. Peter Weir directs a bombastic Robin Williams as Mr. Keating, an eccentric English teacher at a private school. Keating inspires his students to Carpe Diem, push back against authority, and explore the arts. Listen in to Jim and A.Ron as they examine their own experience with the film. And find out who almost got cast as Mr. Keating!
Fifty years ago, Paul Newman and Robert Redford reunited for The Sting! Redford plays a small-time grifter, but there’s nothing small-time about this movie. Newman and Redford orchestrate a con on cantankerous crime boss, Doyle Lonnegan, played by Robert Shaw. This story will show you a good time and pull the rug out from under your feet. Still not convinced to give it a shot? This movie won 7 Oscars! How about that?
On the 10th anniversary of his passing, get to know one of the most influential film critics; Roger Ebert. He was a man who lived loudly, critiqued freely, and loved movies unflinchingly. From a young film critic prodigy to an older man in failing health, Jim and A.Ron recount the journey of Ebert’s life and his impact on their own lives.
Pete Peppers from Growth Decay Transformation joins Jim and A.Ron to speculate on Yellowjackets season two. After a quick recap of season one, your favorite hosts chat about visual cues in the trailer, the dynamic characters, and wild theories. As the mystery expands, will there be answers? Join us for coverage of Yellowjackets season two!
Martin Scorsese, one of the most influential living directors, guides Robert DeNiro through a creepy performance. Even though these two are reliable artists of the silver screen, this movie is a miss. It’s a vaguely Hitchcockian movie with a whole list of “wtf?” moments. Who is this movie made for? Not sure. Who is A.Ron’s ‘Nick Nolte’ impression for? Everyone.