Thanks to Sean Ray for commissioning the classic 1992 western, “Unforgiven”. Directed by and starring a perfectly-aged Clint Eastwood, the story has him reconciling the man he was in his drunken youth with the man he wants to be, and more importantly, the man his dead wife would have him be. Where does he come down on it? It’s a classic so you probably already know but one of us didn’t and the discussion is interesting.
Special thanks to our commissioner for today’s podcast, Sean Ray. You may recognize him as the man behind such classics as It Follows, and Black Rain, which if nothing else is unique. Today he selects the great A Few Good Men, where a gruff Colonel in the US Marine Corps takes issue with the USMC’s kinder, more gentler ways of discipline and organization, leading to the death of one of the men under his command. Tom Cruise and Demi Moore are effective as the counsel for the defense, and are given a lot of juicy material to work with. Written by Aaron Sorkin and directed by Rob Reiner, the script is packed with Sorkinisms and shot with a steady, confident eye. The performances are phenomenal, especially Jack Nicholson’s elemental performance of Col. Jessup.
Special thanks to Ajas, who commissioned a very special project; our first commissioned Live Watch! If you don’t know, a Live Watch is where we watch a show and record commentary for it, which you can sync up to watch with us at home with your own personal copy. And this movie is one of the craziest, over the top action films of all time. A John Woo picture, starring Chow Yun-fat, it features a hard-boiled detective desperate to put an end to the violent gang of gun runners who murdered his partner. Boasting an improbably number of bird and bullets, and featuring stunts that are just slightly less lethal than filming actual gunplay, the plot makes no sense but the gonzo nature of the film more than makes up for it. You thought Jason Statham’s baby routine in Fate of the Furious was crazy? You haven’t seen nothing!
Our Merry Culkin Keatmas jingles on! We’ve seen the apex of any good Keatmas, Batman Returns, the 1992 follow up to the Tim Burton Batman. What’s better than Jack Nicholson as the Joker? Having two classic Bat Villains. The concept has merit, but the execution? It’s not as purrrrfect as Catwoman might want. We discuss Keaton’s place in the Bat Pantheon, Devito’s bizarre, grotesque, Penguin, and the stuff that works in the Catwoman/Batman relationship, and the stuff that doesn’t. Stay tuned because we’re not quite done, you have one more present left to unwrap! Come back Christmas Eve (Sunday, December 24th) to find it under the tree!
Special thanks to Steven Sprague, celts77, Laura Hamilton, ztziemke, and Don C for commissioning this podcast, on the 1992 Quintin Tarantino crime drama, Reservoir Dogs. We discuss the writing, the performances, our opinions on the true meaning of Madonna’s “Like a Virgin”, the insights QT has on crime and society, and debate it’s place in the Tarantino pantheon. Thanks again to all of our commissioners, we couldn’t do it without you!
Eric Cunanan commissioned us to watch the classic 1992 drama, Glengarry Glen Ross, directed by James Foley and based on the stage play by David Mamet. If megawatt star power (Al Pacino, Jack Lemon, Ed Harris, Kevin Spacey, Alec Baldwin, Alan Arkin among others), crisp, lyrical, profane dialog, and meditations on the death of the American Dream sound like something you’re into, you should give this movie a shot if you haven’t already.