208 – Fifi – LIVE RECORDING
Watch us record the podcast, including all the sound checks, flubs, and riveting research breaks that you’ve always wished you could see… Hey, at least you can hear the podcast before anyone else.
Watch us record the podcast, including all the sound checks, flubs, and riveting research breaks that you’ve always wished you could see… Hey, at least you can hear the podcast before anyone else.
A.Ron and co-host Cecily take a look at the new season of Cinemax’s action series, “Banshee”, with the season four premiere, “Something from the Bible”. Maybe it’s the location changes that cause so much catching up on, but we found it to run at a bit lower octane than your typical adventures of Hood and company. Or maybe it’s the lack of Job. But this episode is “whelming”; neither over nor under. Still, heads get crushed in vices, Carrie goes Batwoman, Hood rediscovers his razor while learning the limits of busting caps in knees, Bunker is sleeping with the enemy(‘s wife), all the while the town and county of Banshee is rocked by a shocking death as we introduce a grisly sequence of serial killings. So yeah, pretty pedestrian stuff, no?
Jim and A.Ron struggle to comprehend and understand the bizarre cliffhanger choice of the season six finale of The Walking Dead, “Last Day on Earth”. But to be honest, the problems don’t begin and end there. Which is not to say there’s not good stuff; Jeffrey Dean Morgan’s Negan was awesomely… Negan. There was some genuine suspense and dread built as our RV full of heroes slowly felt the noose tighten around their neck. And then this tension was let out as artfully as a air out a whoopee cushion because, lest you forget, this is The Walking Dead.
Daredevil episode 208, “Guilty as Sin” is before the jury. What will be the verdict? On the one hand, we have great fight scenes, a rapidly expanding mythology that’s managing to stay on Jim’s sweet side, and some nice court scenes with Foggy. On the other hand, we’re really wondering WTF is going on with Frank, there are some pretty bad courtroom scenes with Foggy and Karen, and Matt’s punch in leiu of dialog is wearing out us as fast as it is Stick. See you Wednesday!
Watch us record the podcast, including all the sound checks, flubs, and riveting research breaks that you’ve always wished you could see… Hey, at least you can hear the podcast before anyone else.
“Limbo juice! Limbo juice! La la la la Limbo Juice! Fill your cup, drink it up! Everybody loves that limbo juice!”
We watched The Devil’s Backbone this week, and were pretty blown away. The film opens up like a blooming flower the more you think about it, and it has a final half-hour that rivals some of the best cinematic experiences. So put some gold in your leg, threaten people with knives, sharpen a spear with broken glass, and knock over a watch pitcher. Here we go!
Hey, it’s the first anniversary of The Because Show, Amy and Susan version! It went by in a flash of fun, poop, and craziness, just like most of the shows do! This week’s is no exception, as Amy and Susan discuss the relationship legalities of buying clothes for your partner, give a listener advice about…
Come watch the episode with us. If it’s bad, we’ll make fun of it. If it’s good… well, we’ll still make fun of it, just a little less seriously.
In episode 207 of Netflix’s Daredevil, “Semper Fidelis”, Foggy and Karen fight for Frank’s freedom, while Matt abandons his friends and client to pursue the larger goal of keeping Hell’s Kitchen safe. Foggy and Karen have some things to say about that, and it’s pretty glorious. At the same time, Matt seems concerned that he’s inching ever closer to the “one bad day” that the Punisher warned him was in his future, where the lines between justice and vengeance blur and become unrecognizable. Also, Daredevil and Elektra discover a giant hole. What’s up with that? All this a bunch of feedback from your fellow fans. See you Monday for more!
Thanks go to Dan G, perhaps better known as the forum denizen DancesWithWookies, has selected the 2007 minimalist sci-fi/philosophic film “The Man from Earth” for his commissioned podcast. Directed by Richard Schenkman and written by the late Jerome Bixby, it asks us to entertain the idea of a 14,000 year old paleolithic man who has managed to adapt and survive to our modern day. His winding tale through history may intrigue or infuriate you, depending on your appetite for detail or willingness to engage with the ideas and concepts of the film, and move beyond the limitations of it’s budget and construction