Fargo - 308 – Who Rules the Land of Denial?

FX’s Fargo threw audiences a supernatural, out of nowhere curve ball this week in “Who Rules the Land of Denial” and A.Ron…. loved it? The man who hates a fishnado, the man who revolts at the first sign of UFO, is all down for purgatory overseen by a Wandering Jew? Okay, then. We discuss Jewish mysticism, Gloria Burgle’s arc, who is tormenting Emmitt, and how Varga’s move against Sy could be a fatal mistake.

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LWJ&A – Episode 117

This week we’re catching up on questions from the audience, which includes stuff like time traveling for good or evil, speculation about which badass action star is the friendliest and favorite condiments.

Bald Move Pulp - The Mummy (2017)

Jim and A.Ron checked out the summer action/horror/Tom Cruise vehicle, The Mummy. A.Ron thinks it’s dumb, but fun, and draws comparisons to Stargate, American Werewolf in London, Hellboy, and League of Extraordinary Gentlemen. Jim thinks it has the kind of fun, swashbuckling, scoundrel flavor found in the Uncharted video game series. So is it a successful start to Universal’s ambitious interconnected monster saga, Dark Universe? We’ll have to see how much money it makes. Please enjoy our spoiler free review of the film, as well as discussion of upcoming summer movies such as Atomic Blonde, Baby Driver, and American Assassin. But if you want to hear our spoiler filled review, you’ll have to be a Club Bald Move member!

Better Cast Saul - 308 – Slip

Jim and A.Ron discuss the latest episode of AMC’s Better Call Saul, “Slip”. We note, rather ominously, the next episode title is “Fall”. Gulp. We discuss better strategies for pill swapping, the probably bowel patterns of an elderly man who’s diet consists entirely of Mexican food and espresso, and give a full-throated cheer for Kim serving some cold justice to one Howard Hamlin.

Following The Leftovers - 308 – The Book of Nora

Jim, A.Ron, and hundreds of listeners grapple with their feelings about the series finale of HBO’s The Leftovers, “The Book of Nora”. Was it good just because it was a work of art that was brilliantly written, expertly acted and shot, and in it’s rigid adherence to ambiguity the most Leftovers Leftovers of all? Was it bad because it answered nothing, or everything, or betrayed characters we cared about or gave short shrift to, or invalidated what we felt about past episodes? The answer, more than usual, rests with the viewer, and everybody’s got thoughts. We try to capture as many as we can. But we also promise to return next week for more! One final podcast before we say goodbye to The Leftovers, forever. If that’s not worth of a Max Richter soundtrack, what the hell is?