Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
We’re doing something new on BMTV this week; talking about industry news! Netflix swears they have no plans for adding commercials to their service at any subscription level, while advertising execs say they’re going to have to. Then we talk about HBO’s odd little short musical by filmmaker Paul Thomas Anderson and musician Thom Yorke, “Anima”.
Jim and I had the pleasure of taking a European vacation with Spider-Man: Far From Home. Just when you wonder how Marvel will pick up the pieces and continue from Endgame, the drop a super fun Spider-Man sequel on us that manages to be just as delightful as the first with even more heart. Tom Holland was born to…
We discuss Russell T. Davies’ latest creation, Years & Years, as well as Legion’s third and final season.
Jim, A.Ron, and Cecily are back to round up television for the week! We run silent and run deep on Hulu’s new WW2 submarine drama, Das Boot before viewing the Brazilian political documentary Edge of Democracy, before Cecily pitches Netflix’s Dark to us, and finally Cecily and I talk briefly about our feelings on NBC’s The Good Place.
Frankly, we were prepared to be mildly disappointed and to cluck our tongues at the Mouse and wag our fingers at all of his hubris as we sat down to watch Toy Story 4. Nobody asked for this sequel. It was foolish to get this franchise out of the vault after you delivered an absolutely perfect trilogy with the most beautiful ending you could ask for. But you know what? They did it. Toy Story 4 can look it’s predecessors square in the eye as it has just as much humor, heart, and a wonderful, emotionally rewarding finale. Not to mention it’s the best looking Toy Story yet. This is a movie that was made for everyone, and it delivers the goods.
im, A.Ron and Cecily put season five of Netflix’s Black Mirror to bed as we talk about the final episode, “Rachel, Jack and Ashlee Too”. Then we check out the latest products of Netflix’s global reach, the supernatural high school fantasy of Jinn (00:00:00), as well as the Indian dystopia of Leila (00:00:00). Finally, we look at the new HBO documentary, “Ice on Fire” (00:00:00), and consider some conservative talking points and counters to the film.
Jim and I have seen the latest installment in the long running Men in Black franchise, Men in Black: International. And it’s okay. It’s fun and entertaining, largely because Tessa Thompson and Chris Hemsworth are fun and entertaining people who have an easy chemistry. The plot is twisty, but not very smart, and the whole thing just struggles to find the big red “hyperspace” button that would get it into orbit where it belongs. But if all you’re looking for is a bit of 90s nostalgia in a forgettable summer flick package, Men in Black: International will do.
Premium
To celebrate our recent passing the big 50 millionth podcast downloaded milestone, we take to the mics to answer all the burningest questions our loyal listeners have for us. Our past, Bald Move’s future, our opinions on everything, who we’d cast in movies about ourselves. Thanks to everyone who’s ever downloaded a pod and for…
Jim, A.Ron, and Cecily talk about the latest things that have flashed before their eyes. This week’s topics include the new sci-fi thriller from Netflix, I Am Mother, as well as the belated season five of Black Mirror, before wrapping up the stellar first season of Good Omens and briefly discussing our lack of coverage for The Handmaid’s Tale.
Jim and I went to see the latest X-Men flick, Dark Phoenix. It’s not as bad as it’s Rotten Tomatoes rating would imply, but it’s certainly not good. And it’s unfortunately because once again a classic X-Men plotline is burnt (refried, in this case) and all-time great Magneto and Professor X performances by Fassbender and MacElvoy are wasted on a script with muddled characters and paper thin villains. Long time fans of the X-Men will enjoy some great stand alone moments with their favorite characters, and the core chemistry of Xavier / Magneto / Mystique work to get the film’s emotional heart a brief jump. But ultimately the film folds underneath the weight of apathy and ugly FX work.
