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Super Serious Film Fest – Season of the Cage Retrospective

In the past 6 weeks, we’ve learned more about Nicolas Cage than we ever thought we would, or ever really cared to. So for the final week of season 1 of Super Serious Film Fest we’ve decided to do a retrospective on the whole process. We talk about our favorite moments from Season of the Cage as well as the most interesting things we learned about the man himself, Nicolas Cage.

Bald Move TV – The Romanoffs – 108 – The One That Holds Everything

Amazon Prime’s The Romanoffs arrives at the finish line in “The One That Holds Everything”. If you were hoping that this would be the one that really brings into focus Weiner’s thesis for The Romanoffs, you’re probably walking away disappointed. An ambitious story framing device that doesn’t quite work leads to a surprise ending that doesn’t feel earned, and we’re still left at the end of it all confused and asking “why?” What is so fascinating about the Romanovs and their lives of various levels of privledge and quiet desperation that justifies the time and expense that went into making this, or watching it? We don’t have great answers, but we’re relieved to see this particular line of Romanoffs brought to an end.

Bald Move TV – The Romanoffs – 107 – End of the Line

This, by our estimation, is the second best episode of Amazon Prime’s The Romanoffs, but unfortunately, that’s not saying much about “End of the Line”. It features fairly engaging material involving a couple desperate to have a child engaging in grey-market adoption shenanigans in Russia, and the man and woman in question are appealing and sympathetic as leads. The script also approaches “crackling” in places, as these potential parents begin to fight over how far they’re willing to go and what compromises they’re willing to accept for their child, as the adoption environment itself plays on their paranoia and prejudice. Unfortunately, all this is betrayed by what has become as much of a Romanoffs trademark as it’s nebulous connection to the titular theme; uninspired directing and editing.

Super Serious Film Fest – Con Air (1997)

Multiple viewings and hours of sober reflection have led us both to believe that Con Air is a bad movie. The plot is contrived, the accents are awful, and it’s perhaps the least “Cagey” performance in Cage’s entire career. And yet, maybe based on star-power alone, it remains a classic which simply must be watched.

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Super Serious Film Fest – Con Air (1997) – Rewrite

A shocking discovery was made as we attempted to rewrite the cheesy classic, Con Air: It’s actually way harder than you think to fix this movie. Does that mean that the plot is actually better thought-out than we first assumed? Or is the fundamental idea so flawed that it’s simply impossible to film if you respect your audience? Or perhaps it’s simply a lack of imagination on our part? Any way you view it, we had to get real silly to make this one work, but we had a lot of fun in the process.