Another split decision on the latest first run Bald Movie, the WW2-themed action-horror film, Overlord. The serious and somber tone set against the gonzo and outrageous action quickly lost Jim. I thought the film delivered a pretty solid war film, followed by a tense and effective horror film, then rounded into a solid action romp that unfortunately started collapsing under the weight of too many action movie tropes. Still, the war scenes are more horrifying than most supernatural spookfests, the characters while basic are appealing, and the effects gruesome and effective enough to deliver the goods, especially if you can turn your brain off for the last act.
Jim and I had a helluva lot of fun seeing the Queen biopic Bohemian Rhapsody tonight, starring Rami Malek. It’s getting mixed reviews, but we’re struggling to understand why. Malek does an incredible job embodying the greatest rock band front man of all time, the soundtrack is just literally all of the greatest Queen hits, so what’s not to like? Unless the movie tells just truly egregious and hateful lies about Mr. Mercury, which we’re not in a position to verify, or the justifiable suspicion around the film’s director is souring people’s opinion on it, we can’t see much not to like.Freddie Mercury is front and center of the stage as he should be, but it does a great job of highlighting the incredible talents and creativity of Brian May, John Deacon, and Roger Taylor as well.
Welcome to Cecily and A.Ron’s second annual Cinema Spooktacular, volume two! Ghosts and witches and cults and cannibals and werewolves, oh my! On this podcast, we discuss…
Welcome to Cecily and A.Ron’s second annual Cinema Spooktacular! During the month of October, we like to watch scary movies, and then talk about them on a podcast. Perhaps you’d care to join? Stay awhile… stay FOREVER! Muahahahahaha! This year we’re going to do multiple Spooktaculars in a (mostly failed) effort to get these out quicker. On this podcast, we discuss… 00:25:30 – Are We Not Cats?, 00:39:28 – The Endless, 00:53:42 – Mom and Dad, 00:57:54 – Hereditary
Special thanks to returning commissioner Sean Ray for having us devote a few hours to Oliver Stone’s 1991 political thriller, JFK. The film is a weird duck. In our opinion, the movie is a work of pure flim-flam. However, it’s also one of my favorite movies to watch, because it’s a really well done, and interesting piece of flim-flam that belies it’s crazy long run time and features Oliver Stone using every last ounce of his considerable film-making skill to confuse, beguile and bedazzle his audience. This movie is so star studded that few films are capable of approaching it on acting wattage alone. The sound track by John Williams hits all the right notes, from sweaty, cigarette-hazed and mentally crazed late night conspiracy theories to soaring patriotic hymns. Aside from it being, you know, mostly fiction, we’re also uncomfortable with the Grand Gay Conspiracy angle that’s being pushed. But it also sparks a lot of conversation about conspiracies in general, America’s uncomfortable relationship with Vietnam and the truth, and just why the hell is material related to the JFK assassination still classified, anyway?
Jim and A.Ron went to see Bad Times at the El Royale and give it mixed reviews. Writer/Director Drew Goddard throws a lot of slow, character and dialog driven set pieces at the audience, mixed up and out of order, until finishing the movie with a spasm of violence and action. Jim enjoyed the performances and the movie held his interest throughout, whereas I thought the ending didn’t do enough to justify the other two hours, and thought a lot of the characters were pretty thin for a dialog and character driven movie. But the film is stylish and slick enough that perhaps you’ll be able to forgive it’s flaws?
Thanks to Sean Ray for commissioning the classic 1992 western, “Unforgiven”. Directed by and starring a perfectly-aged Clint Eastwood, the story has him reconciling the man he was in his drunken youth with the man he wants to be, and more importantly, the man his dead wife would have him be. Where does he come down on it? It’s a classic so you probably already know but one of us didn’t and the discussion is interesting.
Special thanks to Sarah Sugas for commissioning 1944’s Laura, a film-noir set around a hard boiled detective attempting to solve the mystery other murder of a remarkable young woman.
Special thanks once again to Sean Ray for commissioning thus podcast for the 1982 John Carpenter sci-fi/horror classic, The Thing. The location, sense of isolation and paranoia, and atmosphere of dread this film is able to generate is incredible. Kurt Russel is iconic in his role as everyman bad*ss. And the gruesome, disturbing practical effects work still effectively sells the horrific alien action.
Special thanks to multi-multi-multi-commissioner Sean Ray for dialing up the number to Blade Runner: The Final Cut (2007). This edition is intended by director Ridley Scott to be the definitive version. The interesting thing is, Jim and I have always been a bit “meh” on the classic Blade Runner experience. Sure, we see how influential it is, and can understand why it was highly regarded “for it’s day”. We both felt like we saw the film with fresh eyes on this cut. Their are problems with world building and pacing here and there, but everything tracks so much cleaner, and the third act which was always a standout is now a pure joy. Thanks again, Sean! It’s not every day that a commission completely has us do a 180 on a project, this is one of those rare times!