Bald Move Pulp - The Crow (2024)

Well, they’ve remade The Crow. I’m not sure who asked for this considering most of the movie-going public has probably never even seen the movie and for many of those who have, it holds a special place in their heart. A place that probably hides a bit of teenage angst and / or trauma. A place that they probably don’t want opened up and mined for dollars. But I guess this is just for the people in the goldilocks zone of the fandom, who don’t identify with the movie enough to be offended by a remake. And this podcast might just be the best test for which group you’re in.

Bald Move Pulp - The Lion King (2019)

Jim and A.Ron have seen the “live-action” remake of The Lion King, but why? Why was this film made? I mean, we know the rea$on$ The Mouse is jamming this joyless attempt at cinema down our throats, but really, why? A stellar vocal cast can’t even come close to making it worth it. It’s hard to think of a more pointless endeavor, and it’s \all down hill after the cold open. Stay at home, save your money, and put on your best copy of the original on your biggest screen and crank up the sound. Enough with this pretender. Long live the original King!

Bald Move Pulp - Aladdin (2019)

If you’re wishing for a three-way review of Disney’s latest live-action adaptation, Aladdin, then listener you’re in luck. Wish granted. Cecily, Jim, and I went to see it tonight with appropriately low expectations, but were very pleasantly surprised at how much fun and energy the movie provided. Better, the script smartly adapted the original, improving it’s pacing while also adding depth to Jafar’s intrigue and Jasmine’s character, making it smarter and more relatable to modern audiences. The Tomatometer is kinda brutal for Al and friends right now (59% as of this writing), so take our review with a grain of salt. And we’re still skeptical of the long term viability of these live-action adaptations, but we feel like this movie is proof that they aren’t necessarily doomed to be pointless wastes of time.