The Season of the Cage continues with another of Nicolas Cage’s best films, The Weather Man (2005). He plays a well-payed Chicago weather man who would have the perfect life if only he could make his father proud, get the job of his dreams, win back his ex-wife, and stop ruining the lives of his children. Will Cage’s raging summer ever end? Yeah, of course it will, so enjoy it while it lasts.
It’s time to rewrite The Weather Man. We think we can do it without Guy Ferrari’s help this time. That might be a mistake. Instead of one well-plotted sequel like we got with The Rock, this time we venture off in two completely different directions and develop two pitches, neither of which can probably live up to the excellent work of Steve Conrad. But you be the judge. Let us know what you thought on our forums.
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There’s truly nothing better in this life than to see a man who takes himself oh so seriously be blasted in the face with soft tacos, frosties and a third-gallon of cherry soda. I can’t conjur the words to express the joy. Luckily, thanks to our Livewatch of The Weather Man, I don’t have to! Sync up your copy of the movie and watch along with us.
Welcome to Cecily and A.Ron’s second annual Cinema Spooktacular, volume two! Ghosts and witches and cults and cannibals and werewolves, oh my! On this podcast, we discuss…
Welcome to Cecily and A.Ron’s second annual Cinema Spooktacular! During the month of October, we like to watch scary movies, and then talk about them on a podcast. Perhaps you’d care to join? Stay awhile… stay FOREVER! Muahahahahaha! This year we’re going to do multiple Spooktaculars in a (mostly failed) effort to get these out quicker. On this podcast, we discuss… 00:25:30 – Are We Not Cats?, 00:39:28 – The Endless, 00:53:42 – Mom and Dad, 00:57:54 – Hereditary
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It’s fair to say that The Rock is a great action movie. That’s why we decided that our first rewrite should be a sequel rather than a true remake of the original film. Trust us, it’s better this way. Though maybe don’t trust us too much because the sequel we came up with is called The Clock… and that’s probably the smartest thing about it.
Welcome to The Rock, and welcome to the first review of Super Serious Film Fest’s “Season of the Cage”. Released in 1996, this modern classic stands as one of Nic Cage’s, as well as Michael Bay’s, finest action movies. It’s not quite the level of Caginess you’re probably looking for but the Season of the Cage is just warming up. Join us next week for The Weather Man.
Special thanks to returning commissioner Sean Ray for having us devote a few hours to Oliver Stone’s 1991 political thriller, JFK. The film is a weird duck. In our opinion, the movie is a work of pure flim-flam. However, it’s also one of my favorite movies to watch, because it’s a really well done, and interesting piece of flim-flam that belies it’s crazy long run time and features Oliver Stone using every last ounce of his considerable film-making skill to confuse, beguile and bedazzle his audience. This movie is so star studded that few films are capable of approaching it on acting wattage alone. The sound track by John Williams hits all the right notes, from sweaty, cigarette-hazed and mentally crazed late night conspiracy theories to soaring patriotic hymns. Aside from it being, you know, mostly fiction, we’re also uncomfortable with the Grand Gay Conspiracy angle that’s being pushed. But it also sparks a lot of conversation about conspiracies in general, America’s uncomfortable relationship with Vietnam and the truth, and just why the hell is material related to the JFK assassination still classified, anyway?
Jim and A.Ron went to see Bad Times at the El Royale and give it mixed reviews. Writer/Director Drew Goddard throws a lot of slow, character and dialog driven set pieces at the audience, mixed up and out of order, until finishing the movie with a spasm of violence and action. Jim enjoyed the performances and the movie held his interest throughout, whereas I thought the ending didn’t do enough to justify the other two hours, and thought a lot of the characters were pretty thin for a dialog and character driven movie. But the film is stylish and slick enough that perhaps you’ll be able to forgive it’s flaws?
Thanks to Sean Ray for commissioning the classic 1992 western, “Unforgiven”. Directed by and starring a perfectly-aged Clint Eastwood, the story has him reconciling the man he was in his drunken youth with the man he wants to be, and more importantly, the man his dead wife would have him be. Where does he come down on it? It’s a classic so you probably already know but one of us didn’t and the discussion is interesting.