Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
For the first time since The Young Pope, Jim and Cecily come together to record a podcast, this time on season 2 of Netflix’s Ozark. We talk about the many things we liked and the few things we didn’t. We also christen the deadliest road in all of the Ozarks, squeeze a baby for all of its juice, and find out just how much Cecily knows about poison.
HBO’s The Deuce moves out the LaLa land in the latest episode, “Seven-Fifty”. The title reminds us that even people that we think of as “good” are capable of terrible exploitation in this world, a reminder that Simon and Pecalanos like to give us every 10 minutes or so. Lori gets her time to shine without her pimp clouding her view, Eileen makes some slight headway towards securing the budget for her high concept adult film, while the first shot is fired in a mob war for control over NYC’s sex trade. We’ll be back later this week to talk Bojack Horseman and Ozark. See you then!
Special thanks once again to Sean Ray for commissioning thus podcast for the 1982 John Carpenter sci-fi/horror classic, The Thing. The location, sense of isolation and paranoia, and atmosphere of dread this film is able to generate is incredible. Kurt Russel is iconic in his role as everyman bad*ss. And the gruesome, disturbing practical effects work still effectively sells the horrific alien action.
A.Ron and Jim check out another funky episode of HBO’s The Deuce. Lori and Eileen’s careers heat up as the pimps are left out in the cold! Vincent gets nostalgic with Abby, while Paul and Bobby do their best to fight off rivals to their trades
Special thanks to multi-multi-multi-commissioner Sean Ray for dialing up the number to Blade Runner: The Final Cut (2007). This edition is intended by director Ridley Scott to be the definitive version. The interesting thing is, Jim and I have always been a bit “meh” on the classic Blade Runner experience. Sure, we see how influential it is, and can understand why it was highly regarded “for it’s day”. We both felt like we saw the film with fresh eyes on this cut. Their are problems with world building and pacing here and there, but everything tracks so much cleaner, and the third act which was always a standout is now a pure joy. Thanks again, Sean! It’s not every day that a commission completely has us do a 180 on a project, this is one of those rare times!
So Jim and I saw the final two episodes of Castle Rock, and unfortunately for any Bald Movers that walked away as fans looking forward to season two, we’re not among that number. We’re not upset with the people who do like the show, as it’s charms are evident; it looks great, boasts an incredibly talented cast, and cribs from very highly regarded plots and material by genius of horror Steven King that should add up to a mystery box show that we’re desperate to open. Maybe that’s the problem, that we’re not as steeped in King lore, so we don’t connect as much to this material? Or maybe we just don’t have faith in the show runners to give us a satisfying end? Ultimately a show either grabs you or it doesn’t, and we flat out slipped through Castle Rock’s creepy grasp.
Jim and A.Ron are happy to be back into the swinging 70’s with the cast and crew of HBO’s The Deuce, with it’s return episode, “Our Raison D’être”. This time and setting are so colorful, fun, and alive that it’s easy to forget the layer of decay and menace that lurks just beneath each scene. Whether it’s pimps losing their grip on the game or mobsters that have grown fat and lazy from politicians looking the other way, there are a lot of dangerous people that could quickly decide that they are being squeezed out. Who knows what kind of damage they could wreak on their way out? We hope you join us each week here on Bald Move TV as we watch another David Simon-led look into the intersection of politics, money, crime, and corruption.
Jim and A.Ron put on their brown pants tonight to go out and see The Nun, the latest installment in The Conjuring universe, but only one of us needed to. The film’s getting mixed reviews; and Jim worries that co-writer James Wan’s bag of tricks are getting played out and the movie suffers from inconsistent internal logic. Perhaps I’m the biggest wuss alive, but the movie got my hair standing up on the back of my neck fairly consistently. Your mileage may vary!
We’re back to finish up (?) our coverage of HBO’s Sharp Objects, and discuss our thoughts on Hulu’s Castle Rock through S01E08 (00:26:04). Next week we’ll be back to start our coverage of the second season of HBO’s The Deuce.
Jim and I had high hopes for the Gothic horror film, The Little Stranger, thinking it would be an ultra atmospheric mash up of The Witch with Downton Abbey. Instead, we got a commentary on upper class angst during the 1940’s as their fortunes crumbled alongside their estates masquerading as a dull, drab little ghost story. At no point does the film ever manage to generate anything but mild disquiet and malaise. Which is a shame, because all the pieces were there for genuine horror. An interesting core idea, excellent cast, excellent location, and fantastic atmosphere that were all unfortunately squandered with disinterested filmmaking.
