We’re finally seeing a movie with the theater crowd for the first time since the pandemic started and it’s the sequel to a really enjoyable movie from 2018, A Quiet Place Part II. This time, John Krasinski is both writing and directing. How does that work out for the movie? Well, join us for the non-spoiler podcast to find out, then stick around after the trailer talk if you’re a club member for the deep dive into the spoilers.
Jim and A.Ron have seen Alien: Covenant, and declare it to be gorgeous, ambitious, and filled to the brim lofty ideas, but that it’s also really, really stupid. Which is a shame, since that’s a flaw that mired it’s predecessor, Prometheus. Ridley Scott still knows how to shoot a film, no doubt, but has he forgotten how to put smart, sharply defined characters in peril without them being the dumbest, pettiest humans alive?
Jim and A.Ron loved the hell out of The Fate of the Furious, the eight installment in the Fast and Furious franchise. Great characters, great dialog, great action set pieces, fairly plausible and coherent plot (as far as these things go), and some just hilarious, Three Stooges type slapstick action comedy courtesy The Rock and Jason Statham. You either love these movies or have long since outgrown them, but for the people who can tune in to these kinds of demented frequencies, it’s top notch entertainment. The best F&F in years, maybe ever. Feel free to listen to our non spoiler take as well as a robust discussion of upcoming films and trailers, but if you want to hear our full spoiler filled break down of the movie, you’re going to have to be a Club Member.
Special thanks to Josh “Anubus21” Wilson for the conclusion of his three podcast trilogy (previously Screamers and PCU), Star Trek II: The Wrath of Khan. Arguably the greatest Trek film of all time, and featuring the unquestionably greatest Trek movie villain, Wrath holds up like a champ. Featuring terrifying ear worms, a broad range of quality Shatnerian acting, Chekov screaming, and Ricardo Montalbán’s impressive old man chest, we try to look at the film through both critical and nostalgic lenses.