Bald Move Pulp - Good Omens, Barry Season 2 Wrap Up

Jim, A.Ron and Cecily team up to take on the end of the world as envisioned by Amazon Prime’s Good Omens. Adapted from the novel of the same name by co-author Neil Gaiman himself, it offers a warm, funny, and human take on the Apocalypse, focusing on the unlikely friendship between a demon (David Tennant) and an angel (Michael Sheen) who have decided they like Earth like it is, thankyouverymuch, and team up to keep it that way. Then, Cecily and A.Ron talk about their thoughts on the conclusion of the sophomore season of HBO’s Barry (00:26:45).

Bald Move Pulp - Chernobyl – Episode 1 – 1:23:45

Chernobyl is already one of the most fascinating and relevant disaster movies I can think of, and we’re only one episode into it’s five episode run. “1:23:45” does a great job of introducing us to the men and women that will be affected by the nuclear power plant’s explosion, sets up the political dysfunction that will impede the increasingly desperate and heroic attempts to contain the environmental catastrophe, and visually and audibly highlight the dangerous, hellish conditions the rescue workers and plant technicians were forced to confront. Is the Chernobyl disaster a uniquely Soviet phenomenon? Could something like this happen in the West? And what lessons about a pervasive culture of lying and misinformation can we apply to our lives today? We hash out these questions and much more.

Premium

Super Serious Film Fest - Season of the Cage Retrospective

In the past 6 weeks, we’ve learned more about Nicolas Cage than we ever thought we would, or ever really cared to. So for the final week of season 1 of Super Serious Film Fest we’ve decided to do a retrospective on the whole process. We talk about our favorite moments from Season of the Cage as well as the most interesting things we learned about the man himself, Nicolas Cage.

Bald Move Pulp - The Romanoffs – 108 – The One That Holds Everything

Amazon Prime’s The Romanoffs arrives at the finish line in “The One That Holds Everything”. If you were hoping that this would be the one that really brings into focus Weiner’s thesis for The Romanoffs, you’re probably walking away disappointed. An ambitious story framing device that doesn’t quite work leads to a surprise ending that doesn’t feel earned, and we’re still left at the end of it all confused and asking “why?” What is so fascinating about the Romanovs and their lives of various levels of privledge and quiet desperation that justifies the time and expense that went into making this, or watching it? We don’t have great answers, but we’re relieved to see this particular line of Romanoffs brought to an end.