Bald Move Prestige - The Magnificent Seven (2016)

What do you get when you take the classic Western remake of an original piece of Japanese film-making art, and add Denzel Washington, Chris Pratt, Vincent D’Onofrio, and Ethan Hawke to the mix? A sum that is less than it’s parts, that’s what. Enjoy our spoiler-free review of the movie and a discussion of upcoming movies and trailers on the house, but if you want to listen to us crack wise on D’Onofrio and Hawke’s accents, you’ll have to be a Club Member to gain access to our full spoiler podcast. Why not join today? It’s quick, easy, and helps support our independent podcasts!

Bald Move Prestige - Pontypool (2008)

Josh Black stepped forth to commission the mind blowing 2008 film, Pontypool. Starring the very underrated Stephen McHattie, and directed by veteran cult filmmaker Bruce McDonald, Pontypool is set in a small Canadian town where a humbled former shock jock takes on the job of talking about the sleepy local news in the wee hours of the morning. And then something big happens. I really can’t tell you more without spoiling a great film that should be seen by a lot of people, and right now you can see it streaming from among other places, Netflix, so I encourage you to give it a whirl before listening to this podcast. Things get crazy and “deep” in the way things sometimes do on these podcasts. Do not translate this message.

Bald Move Prestige - Snowden (2016)

This week’s First Run Bald Movie is Snowden, an Oliver Stone movie about famous/infamous NSA whistleblower/traitor/hero Edward Snowden. We don’t think this is the movie that will change anyone’s minds about the matter, but we do think the topic of privacy, if not Snowden himself, is vital for discussion, and the film is a food springboard for just that. But, does any of this even matter, will any of it make a difference? Enjoy our spoiler free review on us, or join Club Bald Move for a more in depth, wide ranging, and somber discussion of freedom, liberty, and privacy.

Bald Move Prestige - Mulholland Drive (2001)

Jim and A.Ron tackle yet another community podcast commission, this time for the David Lynch movie, “Mulholland Drive”. Things get weird as we experience every human emotion possible and struggle to figure out what the hell just happened. Just know that this podcast is not meant to be interpreted literally, but to be emotionally intuited experientially.

Special thanks to the crew who combined their wallets, Captain Planet style, and summoned this podcast; Anthony B, Mike T, Davey Mac, Ryan Q, Rachael H, galicia73, Fidoz,
Jefferson B, hellogoodbye9, cocoa2mc, Martin K , Michael T, Joby M, and Walker W. Thanks guys and gals, we couldn’t do it without you!

Direct - David Fincher – Gone Girl

Gone Girl is three movies in one. At one point, it’s a mystery. Then, it turns into a thriller. Then, a melodrama. But what really makes this movie is its masterful villain. Gone Girl has one of the best antagonists caught on film. The movie is able to take a fantastical plot and ground it in cold, comfortable, plodding dread. It is a testament to the quality that Fincher demands of his work. Bravo.

Bald Move Prestige - Sully (2016)

It’s rare that a disaster movie comes out that isn’t completely over wrought, or sensationalized, much less one that is wholly positive and uplifting, but Sully, directed by Clint Eastwood and starring Tom Hanks at his Tom Hanksiest, is just such a movie. Even our podcast’s automatic pilot system, Jim Jones, was moved by the depiction of the sort of everyday heroism that can save 155 souls, and unite a country in a sense of admiration and gratitude. Plus, we talk crap about new trailers and the unruly elderly audience we enjoyed this film with.

Direct - David Fincher – The Curious Case of Benjamin Button

The Curious Case of Benjamin Button is a warm, fuzzy Forest-Gumpian tale of a deadbeat dad and his deadbeat dad son. Fincher’s take on this (very loose) F. Scott Fitzgerald adaptation is a departure of sorts from his thriller-tinged canon thus far. This is Fincher at his most romantic, and even still he manages to inject action, humor and slick, stylized camera work into the mix. It’s a good way to spend a Sunday afternoon.