Bald Move Pulp - Black Summer, Special, You vs Wild
Jim and I talk about our initial thoughts on Netflix’s new shows; Black Summer, Special, and You vs. Wild. We ponder the age old question, what’s harder to kill, the zombie genre or Bear Grylls?
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
Jim and I talk about our initial thoughts on Netflix’s new shows; Black Summer, Special, and You vs. Wild. We ponder the age old question, what’s harder to kill, the zombie genre or Bear Grylls?
Jim and I saw the Neil Marshall helmed, David Harbour starring 2019 reboot of Hellboy. And it’s the definition of a mixed bag. Sporting an impressively low 11% fresh rating on Rotten Tomatoes, Jim thought the movie was bad, but I borderline loved it. I have no explanation for my critical disparity, and I can see the issues with plot and humor that Jim and others are expressing but… I’ve seen a helluva lot of worse movies this year get better reviews. Am I losing my touch? Or do you just have to be a die hard Hellboy fan to admire what this movie has to offer. It’s a damn shame, because while I think everyone can agree that Harbour makes an excellent Hellboy, the movie isn’t likely to get the sequel his casting deserves.
A.Ron and Jim talk about the latest attempt at a Stephen King adaptation, Pet Sematary. The movie is genuinely scary and horrifying when it wants to be, unfortunately in our opinion they squander a lot of time and goodwill in the first act flailing about conceptually which keeps us from connecting with the characters and setting the way we should. But still, the family dynamics, endangered children, and a great Jon Lithgow performance does just enough to sell us when things that were better off left dead aren’t.
Jim and A.Ron discuss their thoughts and feelings about the season opener for HBO’s hilarious and thought-provoking Barry, then Cecily swings by the studio to talk American Gods (00:31:07) episode “The Greatest Story Ever Told”.
A.Ron and Cecily are back and catching up on season two of Starz American Gods! We’re definitely seeing some of the weaknesses the critics and some disgruntled fans have been complaining about in isolated scenes; the road trip with Wednesday and Nancy being a particularly glaring example. But overall, we’re still in love with the…
Jim and A.Ron give some brief thoughts on the brief episodes of Netflix’s new gonzo animated anthology, Love, Death, and Robots, before beginning deliberations on HBO’s new documentary, The Case Against Adnan Syed. We’ll be off on vacation all next week! See you when we return!
Cecily and A.Ron take over Bald Move TV to talk about the new season of Stars American Gods. While we have previously discussed the show in passing, we’ll be taking longer looks at it this season, beginning with this premiere episode, “House on the Rock”. There are a lot of reasons to be excited for this show; it’s unique world and lush visual style, the performances and characters are delightfully over the top, and it’s an adaptation of a highly regarded work where the literary creator is deeply involved in the production. But, there are reasons to be skeptical, as the production of season two is a story filled with delays and creative differences, leading to the firing of several showrunners, and has lead to numerous negative reviews of at least the early goings of season two. Still, we’re committed to seeing this show to whatever end it meets, either of running it’s natural creative course or at the hands of the hammer swinging execs at Stars. They don’t call us the “Undertakers” for nothing!
Jim and I cover two semi-related topics, the horror genre take on #metoo that is Hulu’s Into the Dark: Treehouse, as well as the documentary on Michael Jackson, Leaving Neverland that paints a compelling, credible, and disturbing picture of the pop superstar. It’s also an excellent primer on understanding and preventing child abuse, which every parent or potential parent should watch.
We have seen the latest Marvel super extravaganza, Captain Marvel, and come away with the suspicion that it’s missing something from the usual Marvel formula. If anything, it feels DC-esque in the way it’s attempting to shoe horn in a new, unknown super power into the MCU. Uninspired fights, plot twists that are seen for miles away, and lacking engaging supporting characters (aside from Jackson’s Nick Fury, whom Brie’s Marvel has very good chemistry with) that give the main character emotional stakes, Captain Marvel is good, perhaps, but not great, and maybe that’s overselling it.
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