Bald Move Pulp - Hellboy (2019)

Jim and I saw the Neil Marshall helmed, David Harbour starring 2019 reboot of Hellboy. And it’s the definition of a mixed bag. Sporting an impressively low 11% fresh rating on Rotten Tomatoes, Jim thought the movie was bad, but I borderline loved it. I have no explanation for my critical disparity, and I can see the issues with plot and humor that Jim and others are expressing but… I’ve seen a helluva lot of worse movies this year get better reviews. Am I losing my touch? Or do you just have to be a die hard Hellboy fan to admire what this movie has to offer. It’s a damn shame, because while I think everyone can agree that Harbour makes an excellent Hellboy, the movie isn’t likely to get the sequel his casting deserves.

Bald Move Pulp - Pet Sematary (2019)

A.Ron and Jim talk about the latest attempt at a Stephen King adaptation, Pet Sematary. The movie is genuinely scary and horrifying when it wants to be, unfortunately in our opinion they squander a lot of time and goodwill in the first act flailing about conceptually which keeps us from connecting with the characters and setting the way we should. But still, the family dynamics, endangered children, and a great Jon Lithgow performance does just enough to sell us when things that were better off left dead aren’t.

Bald Move Prestige - The Boy Who Harnessed the Wind (2019)

We’ve seen Chiwetel Ejiofor’s (star of 12 Years a Slave, Doctor Strange) directorial debut on Netflix, The Boy Who Harnessed the Wind, and found it compelling and enlightening. Based on a true story about a Malawian boy who saves his village from famine with his wits, ingenuity, and education, The Boy offers us an inside look at things we can barely begin to relate to; widespread starvation, civil unrest and the breakdown of society. Things that we may have to relate to sooner than we think. 

Bald Move Pulp - Captain Marvel (2019)

We have seen the latest Marvel super extravaganza, Captain Marvel, and come away with the suspicion that it’s missing something from the usual Marvel formula. If anything, it feels DC-esque in the way it’s attempting to shoe horn in a new, unknown super power into the MCU. Uninspired fights, plot twists that are seen for miles away, and lacking engaging supporting characters (aside from Jackson’s Nick Fury, whom Brie’s Marvel has very good chemistry with) that give the main character emotional stakes, Captain Marvel is good, perhaps, but not great, and maybe that’s overselling it. 

Bald Move Prestige - Second Annual “Groundhog Day” Star Wars Marathon Wrap Up!

At long last we’re ready to wrap up our second annual “Groundhog Day” Star Wars movie marathon! With the help and support of the Bald Move community, we raised $15,691.51 for the National Alliance to End Homelessness over 24 grueling hours of non-stop Star Wars watching. There was food, there was mugs, there were socks. Mark Hamill gave us a tip of his cap. Bidets were raffled. Jim and A.Ron break down their thoughts and feelings on the event, and dish on plans for future marathons, then invite Ben Noll from the National Alliance to discuss their mission and how they feel they can truly end homelessness. Thanks everyone for helping to make this a smashing success, and we can’t wait to see what happens next year!

Bald Move Prestige - Roma (2018)

Jim and A.Ron have seen the highly acclaimed Netflix original, “Roma”, and we’re conflicted. On the one hand, we can see what it’s seen as great; it’s beautiful to look at, and it’s final act is as good as anything you’ll see anywhere and is widely accessible. The problem is that it asks you to crawl through 90 minutes tedious and boring and banal moments of everyday life before you get there. Now, that’s exactly how real life is, which is probably the point, and probably makes the final act land as well as it does, but it’s not going to be something everyone can or is willing to interface with. We think on balance it’s worth the effort, but not everyone is going to agree on the math on that. 

Bald Move Prestige - The Lives of Others (2006)

Nicholas Ragovis / AKA Doctor_Nick, victor of the Bald Move Fantasy Football League, has come to claim his spoils; a commissioned podcast! He has a great film for us, the 2006 German film The Lives of Others.  Written and directed by Henckel von Donnersmarck, the movie offers a look into the brutal repression and paranoia of the East German State Police during the 80s, and the effects it had on the lives of those that had to live under it. But there is hope in the form of a Stasi captain that has to confront his own conscious and humanity during an assignment to monitor an esteemed playwright. This movie has us thinking about totalitarian regimes past, current, and future, the strength of the human spirit, and how we as citizens need to keep the hands of the joyless off the levers of state power.

Bald Move Pulp - Alita: Battle Angel (2019)

Jim and A.Ron saw Alita: Battle Angel tonight, and declare it a mess, albeit a beautiful, groundbreaking one in terms of effects work. This feels like the first half of the third part of a movie trilogy; everything is mysterious, nothing makes sense, the world is being built hastily and right in front of our eyes, and the movie ends right at the beginning of what promised to be a kick ass third act. But if you want to see what state of the art CG looks like in 2019, this is a shining $170 million example.

Bald Move Prestige - High Flying Bird (2019)

We took a look at the latest Netflix original, High Flying Bird. Directed by Steven Soderbergh and shot on an iPhone 8, it tells the tale of NBA management squeezing the players for a reduced share of profits during a labor dispute, and one high profile sports agent that is caught in the middle. It works on the level of a heist film; instead of smooth talking con-man Danny Ocean, we have smooth talking agent Ray Burke. Instead of boosting millions off of a ruthless billionaire casino owner, we’re negotiating for millions off ruthless billionaire team owners. But it also works as a commentary on the power dynamics of labor in general, and on a meta level, the film industry itself. It’s a well made, well-acted, gorgeous film, and it’s final act is as thought provoking as it is fun to watch unfold.