Jim, Cecily, and A.Ron have a round table discussion about the new Watchmen trailer from HBO, the latest micro-comedy from Sundance, State of the Union, an update on Netflix’s Tuca and Bertie,and Cecily and A.Ron pitch Hulu’s Harlots to Jim.
Jim and I have seen the climax to a decade’s worth of world building in the MCU, Avengers: Endgame, and would like to certify it 100% awesome. Sure, you might quibble with a few cameos you don’t recognize, and the more you’re capable of rolling with the “Rule of Cool” the more you’ll appreciate the spectacle they’re putting on screen. But it’s hard to imagine any fan of superhero movies not respecting what an accomplishment this is; to get so many people across the globe to care about and invest in these characters through 20+ movies that they’ll sit in the dark for 3+ hours laughing and crying with them. How does Marvel top this? Can’t wait to find out.
Jim and I saw the Neil Marshall helmed, David Harbour starring 2019 reboot of Hellboy. And it’s the definition of a mixed bag. Sporting an impressively low 11% fresh rating on Rotten Tomatoes, Jim thought the movie was bad, but I borderline loved it. I have no explanation for my critical disparity, and I can see the issues with plot and humor that Jim and others are expressing but… I’ve seen a helluva lot of worse movies this year get better reviews. Am I losing my touch? Or do you just have to be a die hard Hellboy fan to admire what this movie has to offer. It’s a damn shame, because while I think everyone can agree that Harbour makes an excellent Hellboy, the movie isn’t likely to get the sequel his casting deserves.
A.Ron and Jim talk about the latest attempt at a Stephen King adaptation, Pet Sematary. The movie is genuinely scary and horrifying when it wants to be, unfortunately in our opinion they squander a lot of time and goodwill in the first act flailing about conceptually which keeps us from connecting with the characters and setting the way we should. But still, the family dynamics, endangered children, and a great Jon Lithgow performance does just enough to sell us when things that were better off left dead aren’t.
Cecily and A.Ron declare March 24th as international Singin’ in the Rain Day! Singin’ is the greatest Hollywood musical ever devised, and should be seen by everyone that cares about movies as an artform, as well as every human with a beating heart. If you fall into either category, you owe yourself to take a…
We’ve seen Chiwetel Ejiofor’s (star of 12 Years a Slave, Doctor Strange) directorial debut on Netflix, The Boy Who Harnessed the Wind, and found it compelling and enlightening. Based on a true story about a Malawian boy who saves his village from famine with his wits, ingenuity, and education, The Boy offers us an inside look at things we can barely begin to relate to; widespread starvation, civil unrest and the breakdown of society. Things that we may have to relate to sooner than we think.
We have seen the latest Marvel super extravaganza, Captain Marvel, and come away with the suspicion that it’s missing something from the usual Marvel formula. If anything, it feels DC-esque in the way it’s attempting to shoe horn in a new, unknown super power into the MCU. Uninspired fights, plot twists that are seen for miles away, and lacking engaging supporting characters (aside from Jackson’s Nick Fury, whom Brie’s Marvel has very good chemistry with) that give the main character emotional stakes, Captain Marvel is good, perhaps, but not great, and maybe that’s overselling it.
Jim and A.Ron watched a near record amount of television this week! We finished The Umbrella Economy and Lorena, as well as offering first looks at the third season of Documentary Now and the new Prime Original, This Giant Beast that is the Global Economy. Buckle in, this is a mega round up with lots of deep dives into political and economic topics!
Jim and A.Ron have seen the highly acclaimed Netflix original, “Roma”, and we’re conflicted. On the one hand, we can see what it’s seen as great; it’s beautiful to look at, and it’s final act is as good as anything you’ll see anywhere and is widely accessible. The problem is that it asks you to crawl through 90 minutes tedious and boring and banal moments of everyday life before you get there. Now, that’s exactly how real life is, which is probably the point, and probably makes the final act land as well as it does, but it’s not going to be something everyone can or is willing to interface with. We think on balance it’s worth the effort, but not everyone is going to agree on the math on that.
Jim and A.Ron have seen The Umbrella Academy and Lorena, Netflix and Amazon originals respectively. The Umbrella Academy is a smart, fun take on the X-Men universe with some Noah Hawley DNA mixed in. Lorena is a four part documentary examining the 1993 dismembering case of Lorena Bobbitt. While the case is no doubt interesting and probably a big landmark in the struggle for equality of the sexes, we’re not sure this production is doing a great job of raising these issues or presenting the facts in a straightforward way. We’ll be back next week to give The Umbrella Academy and Lorena another whirl!